November 2014 inductee - THE NAME OF A RIVER (Ekti Nadir Naam) by Anup Singh

Drama, 2002 / Directed by - Anup Singh / Written by - Anup Singh, Madan Gopal Singh / Starring - Shiboprosad Mukherjee, Shami Kaiser, Supryia Choudhury / Bangladesh, India, UK / 84 mins
 
In 2014, the International Rotterdam Film Festival had a film named Qissa as its opening film. The film was by Anup Singh, whose debut film The Name of a River had premiered in Rotterdam in 2001. The gap between the two films had been a 13 year long gap, and anyone who had seen The Name of a River would have been left wondering what might have happened to such a talented filmmaker whose work had never fully reached the international audience it deserved. 
 
The Name of a River is a film that explores the life and work of the great Indian filmmaker Ritwik Ghatak. Ghatak was quite a prominent filmmaker with a penchant of revealing meticulous social realities in ways that stood entirely outside commercial Indian cinematography. Yet, the structure it follows is that of the story between a man and a woman crossing the river between Bangladesh and India, playing the roles of refudees, divine beings as well as literary and cinematic characters all at once. They are mysterious creatures, as light as the breeze, lost in worlds of fantasies and in the viewer's subconcious but deeply rooted in the dramatic realities on an India in the years of the Partition of 1947 and the famine in 1943 - two tragic events in the history of the country and two events that seem to have left a mark on the cinema of Singh (the theme of partition and re-establishment of dynasty was a heavy backdrop to the remarkably intense Qissa, a film that itself still has to gain proper distribution).

What is amazing about The Name of a River is its incredible confidence and ambition, amplified considering that this is the work of a first time director. At once breezy and at other times neo-realistic, Singh is as free as a bird as he allows the flow of the cinematography and the countless arrays of artistic, cultural and historical references to shape his film with a dream like, meditative motion. Despite the sensibilities of the director towards the heavy subjects that are dealt with in the film, there is no anger - a fact that is further strengthened by the importance given to the pivotal romance between the woman and the man, constantly brought together and torn apart in countless of ways by fate, politics, poverty and life in general. They may as well be Shakespearean, we might as well be witnessing a unique cinematic translation of the Odyssey. It is only fair to mention that the dialogue and text often reads like nothing short of poetic prose.
 
On top of this, there is particular attention given to the rhythm of the film, musical not only in the strictly musical moments of the film. This aids to the dreamlike nature of the film, but instead of winking at the commercialised branch of Indian cinema, it helps feel like even more like a clever and enriching element in the deep and pensive experience that is The Name of a River. A film that is a work of love, where the Indian landscape is flattered and an ordinary life of everyday heroism celebrated. A film that almost avoids categorisation, and has even been described by many as an essay documentary - though CineCola believes it to be a higher form of biographical, fictional outer worldly Nirvana.
 
For those that are frightened by long lengths in films, be assured that despite all that happens in the film, The Name of a River wraps up in little under 90 minutes. The work of an amazing visionary that still needs to be properly discovered by an international arthouse audience, this is a film that will absolutely needs to be sought out and therefore, CineCola is happy to name it November's CineCola Darling!